to the way you space the cans...
But who is these days. Before we get to carried away about shooting long scenes that take place on board trains while in the studio (The film I'm working on, "Turkey Pot Pie," has a few scenes that take place traveling on trains. Today, for example, we shot the scene that introduces the wayward salad salesman into the group of unsuspecting wealthy (well, the sons of the wealthy) American Pig Farmers, it's early in the film, but it sets up the whole bloody salad spinner scene...)any way, back to the bit I was on about before I got sidetracked on the bit I was going to go on about when I was done with the supplemental bit I wanted to cover first: we need a cello we can use in Prague. Preferably one we (and I when I say "we" here, I am not one of the "wheeze") don't have to carry around a lot in order to use. Just need it for an hour here and an hour there during the beginning of May. All interested inquiries, please respond below in the comments.
OK, now that I got that bit over, I'm too tired for the second bit, that is, the main bit, but since I've already spilled the beans on "Turkey Pot Pie," and I'm tired, I'll leave it at that. Shooting train scenes indoors is kinda funny, but it's pretty hard to pull a wall out of a moving train, if you know what I mean. I feel worst for the guys passing the flags (steel frame with black material wrapped around it, used to keep light from going to unwanted places) in front of the lights (gotta make it seem like they are moving somehow) for 12 hrs.
...fuego
